这期我们将继续分析一整首歌,认识起叙事作用的——Verse(主歌)
[时间线]
0:37 上期作业讲解
Buddy Johnson & His Orchestra - Doot Doot Down
- Intro 2*8
- 12-bar Blues - Head
- 12-bar Blues - Head + Trumpet
- 12-bar Blues - Head + More Horns & Reeds
- Interlude 4*8
- 12-bar Blues - Solo - Sax
- 12-bar Blues - Solo - Sax
- 12-bar Blues - Ensemble
- Outro 3*8 (same as Head)
03:56 什么是Verse——Song#1
The Ink Spots - Don't Get Around Much Anymore (Single Version)
- Intro 1*8
- Verse 4*8
- AABA
- (下略)
06:26 为什么Verse少见
07:41 Song#2
Bette Midler - Bei Mir Bist Du Schon
- Verse 4*8
- Verse 4*8
- AABA
- (下略)
09:26 Song#3
Naomi & Her Handsome Devils - Is You Is or Is You Ain't My Baby
- Intro 2*8
- Verse 4*8
- Verse 4*8
- AABA
- (下略)
12:21 Song#4
Sidney Bechet - St. Louis Blues
- Verse 4*8
- Verse 4*8
- 12-bar Blues
- (下略)
14:09 Song#5
Jimmie Lunceford - T'aint What You Do
- AABA - Head
- Interlude 4*8
- Verse 4*8
- AABA - Head - Vocal
- (下略)
19:15 Recap
19:32 自测作业
Ella Fitzgerald - Don't Fence Me In
Tain't What You Do 结构解析视频(by Swing this Music) youtu.be
本期主播:芝麻
封面作画:贝贝
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其实这一系列的音频的意义已经超越了摇摆舞背景音乐的本身。
说句实话,其实摇摆舞用什么歌都能跳,这也就是为什么最初传来的摇摆舞在中国本土化改造成了吉特巴。
但只有用Swing跳的摇摆舞,才有灵魂。
这一系列播客就是回归本质,正本清源的一剂良药。摒弃了浮躁的干货。