017 关于照护的故事,电影有更激进的想象 'Rosemead', 'Take me home', and telling stories about caregiving残言片语Disabled Talks

017 关于照护的故事,电影有更激进的想象 'Rosemead', 'Take me home', and telling stories about caregiving

73分钟 ·
播放数127
·
评论数5

【聊了什么 The What】

这一期节目,八如和疲惫娇娃CyberPink的主播小蓝和小杨一起聊了两部关于残障与照护的电影:刘玉玲主演的《罗丝密》(Rosemead) 与圣丹斯今年新出的口碑佳作《带我回家》(Take Me Home)。

讲述残障者的故事,很难绕过照护者的故事,也很容易陷入苦大仇深的叙事漩涡;毕竟社会给残障者的资源那么少,而在资源的匮乏中能讲出的故事常常是《罗丝密》中描绘出的毁灭性的绝路。而《带我回家》则通过一种模糊虚构与真实的即兴手段,让残障演员在故事中展现全新的创作方式。或许这种匮乏并不是必须的,或许优绩主义的亚裔家庭不一定要把残障视为绝路,或许电影人能给出的激进的想象能够推动我们重塑现实,毕竟生而为人我们终将是脆弱的。

In this episode we are joined our friends at 疲惫娇娃CyberPink to discuss two films about disability and caregiving: Rosemead, starring Lucy Liu, and Take Me Home, a critically acclaimed new Sundance film.When telling stories about disabled people, it is hard to avoid telling the stories of caregivers as well. It is also easy to fall into a heavy, tragic narrative spiral. After all, society offers so few resources to disabled people, and from within that scarcity, the kinds of stories that emerge often look like the devastating dead end portrayed in Rosemead. Take Me Home, by contrast, uses an improvisational approach that blurs fiction and reality, allowing disabled actors to reveal a wholly different creative mode within the film itself. Perhaps this scarcity is not inevitable. Perhaps, in high-achieving Asian families, disability does not have to be treated as a dead end. Perhaps the radical imagination offered by filmmakers can help us reshape reality—because as human beings, we are all ultimately fragile.

【时间轴 The When】

  • 00:00 - 两部电影的初观感

  • 08:11 - 《柔似蜜》:真实的悲剧还是缺乏想象力的“绝路”

  • 19:01 - 《待我回家》中的姐姐角色:拒绝牺牲自我,寻找更长久的方案

  • 31:01 - 《待我回家》的激进结局

  • 36:39 - 导演 Liz Sargent 谈“激进的想象力”(Radical Imagination)

  • 45:53 - 电影工业能够多大程度上支持残障演员

  • 55:31 - 心理健康与精神健康在政策支持上的滞后性

  • 59:11 - 亚裔社区的“家丑”观与优绩主义

  • 71:14 - 人类本来就是脆弱的

  • 00:00 – First impressions of the two films

  • 08:11 – Rosemead: a true tragedy, or a “dead end” shaped by a failure of imagination

  • 19:01 – The sister character in Take Me Home: refusing self-sacrifice and searching for a more sustainable path

  • 31:01 – The radical ending of Take Me Home

  • 36:39 – Director Liz Sargent on “radical imagination”

  • 45:53 – To what extent the film industry can support disabled actors

  • 55:31 – The lag in policy support for mental and psychological health

  • 59:11 – The Asian community’s view of “family shame” and meritocracy

  • 71:14 – Human beings are fragile to begin with

【我们是谁 Who We Are】

残言片语是一档用残障视角看主流问题的中文播客。残障是人类无法逃避的脆弱性问题,我们致力于在日常生活和社会热点中搜寻被忽视的残障视角,期待和观众一起挑战刻板印象,打击健全中心主义(Ableism),从而真诚地感知、理解、创造自己与世界。

“Disabled Talks” is a Chinese podcast that explores mainstream issues through a disability lens, recognizing disability as an unavoidable aspect of human vulnerability often overlooked in mainstream discussions. Our mission is to uncover overlooked disability perspectives in everyday life and current events, challenge stereotypes, combat ableism alongside our audience, and foster genuine ways to perceive, understand, and shape ourselves and the world. Join us in reimagining societal narratives through the vital prism of disability experience.

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展开Show Notes
摆摆3728
摆摆3728
4小时前
39:49 很好的播客诶,居然今天才发现。说到照护这个话题很有感触,现代社会效率至上,我们的社会规则、福利制度甚至是法律主要是以一个健康拥有自由意志的成年人为标准设立的,像播客里面讲到的失智或者残疾等等一系列社会边缘人都长期被视而不见。更为重要的是照护者所接收到的来自社会和患者本人的双重压力,这些问题需要有人发生,电影书写时代,时代的议题与故事和电影相互成就。总而言之喜欢这期!棒棒
仁慈
仁慈
3小时前
就不能找一个中文母语的编辑来看看台词吗!!
Mars98563
Mars98563
2天前
00:02 谢谢。