906
3在刚刚过去的第28届上海国际电影节，我有幸担任一带一路电影周的媒体评审，在8部参与评奖的影片中，通过投票打分评选出最受媒体关注电影人与最受媒体关注影片两个奖项。评论打分的事早已驾轻就熟，但在本届一带一路电影周的评审工作过程中，还是有着很多新鲜的体会。
刚好邀请《六人定律》节目主播，也是同为本届一带一路电影周媒体评审之一的@二十二岛主 一起，深入聊聊这个可能甚少被影迷关注到的单元。它经历了怎样的发展？选进来的片子又有着哪些特征？媒体评审团这个组织架构的初次设立，是否代表着上影节在进行着自己的“场刊试验”？通过分析几部让我们印象深刻的电影，希望大家能对这个单元产生一个较为完整的认识。
除却评审身份之外，我们还从媒体角度整体复盘了本届上影节给我们带来的深刻印象。我俩不约而同的谈到一个话题，那就是国际电影节格局重新洗牌后，国内唯一一个A类电影节的含金量体现在什么地方。相比起两年前，我在这里感受到的是更加蓬勃的心气和干劲。由衷希望，这座电影之城能够愈发亲切厚重。
上影节审片系统的便利
媒体评审，上影节的场刊？
对一带一路电影周的介绍
选这些国家地区电影的意义
对于今年入选影片的评析《诈死》（现豆瓣译名《命价》）《艾瑞斯的忧夏》《母鸡》《梦寻苏毗女儿国》
一带一路电影周7年来的发展
集中聊聊唯一入围的国产片《梦寻苏毗女儿国》
一顿大餐后观察到的交流氛围
媒体角度复盘今年上影节
再谈今年国际电影节等级秩序的洗牌
上影节主竞赛及亚新奖找到的定位：年轻化
SHOWNOTES IN ENGLISH:
At the recently concluded 28th Shanghai International Film Festival, I had the honor of serving as a media juror for the Belt and Road Film Week. From among the eight films in competition, we selected the winners of two awards—the “Media Choice Award for Filmmaker” and the “Media Choice Award for Film”—through voting and scoring. While I’m well-versed in the process of reviewing and scoring films, I still gained many fresh insights during my time as a juror for this year’s Belt and Road Film Week.
I had the opportunity to invite @Twenty-Second Island Master—host of the program The Six Degrees of Separation and also a media juror for this year’s Belt and Road Film Week—to have an in-depth conversation about this section, which may have received relatively little attention from movie fans. How has it evolved? What characteristics do the selected films share? Does the inaugural establishment of the media jury signify that the Shanghai International Film Festival is conducting its own “program guide experiment”? By analyzing several films that left a strong impression on us, we hope to provide readers with a more comprehensive understanding of this section.
Beyond our roles as jurors, we also took a step back from a media perspective to reflect on the profound impressions this year’s Shanghai International Film Festival left on us. We both independently touched on the same topic: following the reshuffling of the international film festival landscape, what defines the prestige of China’s sole A-class film festival? Compared to two years ago, what I sense here is an even more vibrant spirit and drive. I sincerely hope that this city of cinema will become increasingly warm and profound.
The Convenience of the Shanghai International Film Festival Screening System
Media Reviews: The Shanghai International Film Festival Program?
Introduction to the Belt and Road Film Week
The Significance of Selecting Films from These Countries and Regions
Analysis of This Year’s Selected Films: Diya, Hold onto Me, The Hen, and Sumpa Kingdom
The Development of the Belt and Road Film Week Over the Past 7 Years
A Focus on the Only Domestic Film to Make the Shortlist Dreaming of Sumpa Kingdom
The Atmosphere of Interaction Observed After a Feast
A Media Perspective on This Year’s Shanghai International Film Festival
Revisiting This Year’s Shuffle in the Hierarchy of International Film Festivals
The Positioning of the Shanghai International Film Festival’s Competition and the Asian New Talent Award: A Focus on Youth
