伊朗德黑兰的格勒斯坦宫,在今年空袭中,镜厅被震碎了千万片镜子。这座世界遗产,见证了19世纪凯加王朝一段罕见的城市化实验。那时的国王纳赛尔丁沙痴迷于巴黎的宏伟,想将中世纪面貌的德黑兰彻底改造。而玫瑰宫就是他最重要的试验田。这场国王的“巴黎梦”究竟如何展开?内向的波斯花园传统,如何与外向的欧洲林荫大道逻辑激烈冲撞?一个君主用欧洲的建筑形式,装载伊朗的精神内核,是妙策还是困境?我们回溯这段历史,看一座宫殿如何折射出一个文明面对现代化冲击时的雄心、矛盾与张力。
00:04:15:波斯花园的地位
00:06:16:德黑兰城市与社群关系的交织
00:08:18:德黑兰的咖啡馆与西欧的公共领域
00:10:25:德黑兰的居住与街道
00:12:26:巴黎的文化洗礼
00:19:50:上层精英的物质文化印象
00:22:22:从隐藏的君主到公共仪式的中心
00:24:49:玫瑰宫的建设与国家现代化之路

德黑兰,Luigi Pesce拍摄于1850年代

德黑兰南门附近,Luigi Pesce拍摄于1850年代

德黑兰宫廷建筑,Luigi Pesce拍摄于1850年代

在德黑兰的花园,Luigi Pesce拍摄于1850年代

德黑兰的宫廷建筑,Luigi Pesce拍摄于1850年代

德黑兰玫瑰宫,Luigi Pesce拍摄于1850年代

Tomb of the Khan of Khiva with fortifications,Luigi Pesce拍摄于1850年代

居鲁士时期帕萨尔加德花园的布局

法国建筑师Eugène Flandin绘于1840年的四十柱宫

玫瑰宫内的太阳宫,融合了波斯和欧洲的建筑风格,拍摄于1884

在德黑兰城区中的太阳宫,摄影年代不详

从太阳宫看向德黑兰,拍摄于1897-1898

拉莱扎尔街,德黑兰的香榭丽舍大道,年代不详

1940年代的拉莱扎尔街头,向北望去尽头是高耸的Damavand山脉

一位瑞士飞行员Mittelholzer在1924-1925年期间从飞行高空拍摄的德黑兰

伊朗历史上第一座博物馆厅(Talar-e Salam)

玫瑰宫的镜厅

玫瑰宫西南角的白宫(Kakh-e Abyaz)
音乐:Arshid Azarine. “Tabriz - Erevan - Te-he-ran (Live).” Track 1 on Trio + Guests (LIVE). Melmax Music, 2026.
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