Death has been personified and analogized in myriad ways, but none perhaps so withering as today’s imagining of death as a fascist bureaucrat. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Jeanne Murray Walker was born in a village of 900 people in northern Minnesota. She was first published by The Atlantic Monthly at age 19. Today she’s the prize-winning author of nine books of poetry. Jeanne serves as a Mentor in the Seattle Pacific University low residency MFA Program and travels widely to give readings and workshops. -bio via Paraclete Press This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is a comical maxim that typifies the heavy lifting light verse is capable of. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Poet Timothy Murphy was born in Hibbing, Minnesota, and graduated from Yale University, where he participated in the Scholar of the House program. He was a partner in a large-scale hog farm and a businessperson. His books include the poetry collections The Deed of Gift (1998), Very Far North (2002), Mortal Stakes • Faint Thunder (2011), Hunter's Log (2011), and Devotions (2017) as well as a memoir, Set the Ploughshare Deep: A Prairie Memoir (2000). He has also translated Beowulf. Though hunting and farming are essential subjects for his writing, myths and legends influence his work as well. He passed away in June 2018. -bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem has become one of the most famous 20th-century war poems–in part because of its ability to grant fallen soldiers a voice that is earnestly patriotic without becoming jingoistic. Perhaps the balance is a reflection of the steadiness of the Canadian veteran who penned it. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is a Heaney favorite, and goes out to all of the couples tying the knot this summer. Happy reading! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

The uniting, in today’s poem, of Spring and sadness is not immediately intuitive. However, it makes more natural sense amidst the many partings and reminiscences of graduation season. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem shows us a teacher wrestling with the notion of “graduation.” Happy reading. Bill Knott was born on February 17, 1940, in Carson City, Michigan. When he was seven years old, his mother died in childbirth, and his father passed away three years later. He grew up in an orphanage in Mooseheart, Illinois, and on an uncle’s farm. In the late 1950s, he joined the U.S. Army and, after serving his full enlistment, was honorably discharged in 1960. In the early 1960s, Knott moved to Chicago, where he worked as a hospital orderly. There, he became involved in the poetry scene and worked with John Logan, Paul Carroll, Charles Simic, and other poets. He published his first book, The Naomi Poems, Book One: Corpse and Beans (Big Table, 1968), under the pseudonym Saint Geraurd in 1968. He also published Nights of Naomi (Barn Dream Press, 1971) and Auto-necrophilia (Big Table, 1971) under the same name. Knott went on to publish several poetry collections under his own name, including I Am Flying into Myself: Selected Poems, 1960–2014 (Farrar, Straus and Giroux, 2017), edited by Thomas Lux; Laugh at the End of the World: Collected Comic Poems 1969–1999 (BOA Editions, 2000); Becos (Random House, 1983); and Love Poems to Myself (Barn Dream Press, 1974). He also self-published many books and posted all of his poems online, where they could be read for free. Of his work, Lux writes, “As dense as some of his poems can be, they rarely defeat comprehensibility. Some are so lucid and straightforward, they are like a punch in the gut, or one’s first great kiss…. His intense focus on every syllable, and the sound of every syllable in relation to nearby sounds, is so skilled that the poems often seem casual: Art hides art.” Knott taught at Emerson College for over twenty-five years. He received the Iowa Poetry Prize, a Guggenheim Fellowship, and two fellowships from the National Endowment for the Arts, among other honors and awards. He died on March 12, 2014, in Bay City, Michigan. -bio via Academy of American Poets This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem explains why some Australians wear beards. Andrew Barton "Banjo" Paterson, CBE (17 February 1864 – 5 February 1941) was an Australian bush poet, journalist and author, widely considered one of the greatest writers of Australia's colonial period. Born in rural New South Wales, Paterson worked as a lawyer before transitioning into literature, where he quickly gained recognition for capturing the life of the Australian bush. A representative of the Bulletin School of Australian literature, Paterson wrote many of his best known poems for the nationalist journal The Bulletin, including "Clancy of the Overflow" (1889) and "The Man from Snowy River" (1890). His 1895 ballad "Waltzing Matilda" is regarded widely as Australia's unofficial national anthem and, according to the National Film and Sound Archive, has been recorded more than any other Australian song. -bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Fernando Valverde (Granada, 1980) has been voted the most relevant Spanish-language poet born since 1970 by nearly two hundred critics and researchers from more than one hundred international universities (Harvard, Oxford, Columbia, Princeton, Bologna, Salamanca, UNAM and the Sorbonne). His books have been published in different countries in Europe and America and translated into several languages. He has received some of the most prestigious awards for poetry in Spanish, including the Federico García Lorca, the Emilio Alarcos del Principado de Asturias and the Antonio Machado. His last book, The Insistence of Harm, received the Book of the Year award from the Latino American Writers Institute of the City University of New York. For ten years he has worked as a journalist for the Spanish newspaper El País. He directs the International Festival of Poetry in Granada and is a professor at the University of Virginia (Charlottesville, EEUU). His last bilingual book, America, has been published by Copper Canyon Press with translation by Carolyn Forché. In 2022, Fernando Valverde published the first biography of the poet Percy B. Shelley in Spanish and in 2024 he published a monumental biography of Lord Byron. Valverde is considered one of the greatest specialists in Romanticism today. -bio via FernandoValverde.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem goes out to all the mothers–we wouldn’t be here without you! Happy reading. Marya Zaturensky, Russian-born American poet and Pulitzer Prize winner, was born on September 12, 1902, in Kiev, Russia (now Ukraine). She emigrated to the United States with her family in 1909 and was educated in New York public schools; attended Valparaiso University, 1922–23; graduated from University of Wisconsin, 1925. The same year she married Horace Gregory (a poet and critic), and had two children: Joanna and Patrick. Zaturensky won the John Reed Memorial Award from Poetry magazine (1922), the Shelley Memorial Award (1935), the Guarantors Award from Poetry magazine (1937), and finally the Pulitzer Prize for Poetry in 1938. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is one of the few enduring works of a poet and playwright who burned brightly during his heyday and then blinked out almost entirely. Happy reading. Leigh, son of James Mathews Leigh, was born in London on 29 March 1837. At an early age he engaged in literary pursuits. From time to time appeared collections of his lyrics, under the titles of Carols of Cockayne, 1869 (several editions); Gillott and Goosequill, 1871; A Town Garland: a Collection of Lyrics, 1878; and Strains from the Strand: Trifles in Verse, 1882. His verse was always fluent, but otherwise of very slender merit. For the stage he translated many French comic operas. His first theatrical essay was in collaboration with Charles Millward in a musical spectacle for the Theatre Royal in Birmingham. His ‘Falsacappa,’ music by Offenbach, was produced at the Globe Theatre on 22 April 1871; ‘Le Roi Carotte’ at the Alhambra on 3 June 1872; ‘Bridge of Sighs,’ opera-bouffe, at the St. James's, 18 Nov. 1872; ‘White Cat,’ a fairy spectacle, at the Queen's, Long Acre, on 2 Dec. 1875; ‘Voyage dans la Lune,’ opera-bouffe, at the Alhambra, on 15 April 1876; ‘Fatinitza,’ opera-bouffe (the words were printed), adapted from the German, at the Alhambra on 20 June 1878; ‘The Great Casimir,’ a vaudeville, at the Gaiety, on 27 Sept. 1879; ‘Cinderella,’ an opera, with music by J. Farmer, at St. James's Hall, on 2 May 1884 (the words were published in 1882); ‘The Brigands,’ by H. Meilhac and L. Halévy, adapted to English words by Leigh, was printed in 1884. For ‘Lurette,’ a comic opera, Avenue, 24 March 1883, he wrote the lyrics; and with Robert Reece he produced ‘La Petite Mademoiselle,’ comic opera, Alhambra, on 6 October 1879. He edited ‘Jeux d'Esprit written and spoken by French and English Wits and Humorists,’ in 1877, and wrote Mark Twain's ‘Nightmares’ in 1878. His last theatrical venture—a complete failure—was ‘The Prince Methusalem,’ a comic opera, brought out at the Folies Dramatiques (now the Kingsway), Great Queen Street, London, on 19 May 1883. He was a Spanish, Portuguese, and French scholar, a brilliant and witty conversationalist, and a humorous singer. He died in his rooms in Lowther's private hotel, 35 Strand, London, on 16 June 1883, and was buried in Brompton cemetery on 22 June. -bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem owes a strong debt to Cowper’s “The Poplar Field” but also features a few stylistic echoes of Poe’s “Annabel Lee,” all while achieving a (superior?) effect of its own. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

“As for man, his days are like grass.” It isn’t much of a stretch, then, when Cowper sees his own mortality in a grove of felled poplars. Happy reading. William Cowper (1731-1800) was a renowned 18th century poet, hymnographer, and translator of Homer. His most famous works include his 5000-line poem ‘The Task’ and some charming and light-hearted verses, not least ‘The Diverting History of John Gilpin’. Phrases he coined such as ‘Variety is the spice of life’ are still in popular use today. While living in Olney he collaborated on ‘The Olney Hymns’ with his friend John Newton. -bio via the Cowper and Newton Museum This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

“The work of destruction is quick, easy and exhilarating; the work of creation slow, laborious and dull.” -Roger Scruton Larry Richman (1934-2023) was born in Philadelphia and grew up on a small Bucks County chicken farm north of the city. He attended local schools and then Colorado College, where he was inducted into Phi Beta Kappa and graduated with a BA in English in 1957. From Duke University, he received an MA in 1959 and a PhD in 1970. Larry went on to teach English at the Beaufort and Florence Centers of the University of South Carolina, Washington & Lee University, Agnes Scott College, Virginia Intermont College, and Virginia Highlands Community College, from which he retired as professor emeritus of English in 1998. He also served briefly as adjunct faculty for Vermont College. Larry was one of the founding editors of a nationally distributed poetry quarterly, The Sow’s Ear Poetry Review. He and his wife, Ann, were editor-publishers of the Sow’s Ear Press, which published 30 collections by poets from the upper South between 1994 and 2003. He was also one of the founders and the associate editor and advertising director of The Plow, an Appalachian alternative newsmagazine published by the nonprofit Appalachian Information. The magazine ran for four years in the late 1970s, producing a total of 72 issues. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe