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22欢迎到豆瓣收听《废话燃料》第77届戛纳电影节相关节目，感谢豆瓣的支持！
终于终于来到戛纳。走出机场大门的瞬间，阳光明媚，戛纳电影节负责嘉宾接驳车的柜台也就在视线范围之内。迄今为止，一切都称得上是我最为顺滑的线下参展体验。
无巧不成书，前两天刚刚听完我上一期“五年戛纳，三年模拟”节目的一位听友，在命运的安排下跟我住进了同一间民宿，谁在了同一张床上。
这是一番怎样的邂逅？今年戛纳电影节开始抢票以来，各方体验如何？本期的甜点，我们还给大家分享了比我上一期播客里提到的更为详细的“媒体证件申请指南”，希望能帮到更多来到这里却抢不到票，非常难受的朋友。
戛纳的报道历程正式开始啦！大家想看到哪方面内容，欢迎和我们留言互动起来哦。
本期播客特别介绍：《抛开书本》记者/《走出森林》播客主播/剪辑师/导演忠泽
2:22 前菜
2:30 与忠泽同病相怜的“待机”经历
4:00 从线上抢票开始，聊聊戛纳电影节的初体验
13:43 延伸话题：一天最多看过几部电影？
16:38 观影场域的概念
18:48 戛纳电影节与柏林、威尼斯抢票系统的对比分析
24:06 戛纳电影节影迷证与媒体证抢票的机制不同
25:16 转票在戛纳电影节是可行的吗？
30:35 主菜
30:55 对于科波拉新作《大都会》的期待
33:16 对于娄烨新作《一部未完成的电影》以及陈可辛《酱园弄》的期待
35:31 对于在戛纳能看到的版本的讨论
37:05 老油条的无期待
39:53 甜点
40:33 三日证的内卷，影迷证的高门槛，都不能保证很好的抢票体验
42:54 戛纳对于新兴媒体账号申请证件看中的元素有哪些？
43:31 对于播客等多元媒介的拥抱
52:03 换个角度想想，根据自身优势，去到最适合自己的电影节
Shownotes in English:
Welcome to NonsenseFuel's 77th Cannes Film Festival related program, thanks to Douban.com!
Finally arrived in Cannes. The moment I walked out of the airport gate, the sun was shining brightly and the Cannes Film Festival's counter in charge of guest shuttle buses was within sight. So far, everything qualifies as my smoothest offline exhibiting experience.
Coincidentally, two days ago, after listening to my last program “Five Years in Cannes, Three Years in Simulation”, a friend of mine stayed in the same B&B as me by fate, in the same bed.
What kind of encounter was it? How have you experienced the Cannes Film Festival this year since the start of the ticket rush? In this installment of Dessert, we also share with you a more detailed guide to applying for press credentials than the one I mentioned in my last podcast, in the hope that it will help more people who came to Cannes but couldn't get a ticket and are having a hard time doing so.
The journey to Cannes has officially begun! Feel free to leave a comment on what you'd like to see.
2:22 Appetizers
2:30 The “standby” experience with Zhongze
4:00 Starting from the online ticket grabbing, let's talk about the first experience of Cannes Film Festival.
13:43 Extended Topic: How many movies do you see in a day?
16:38 The concept of the cinematic field
18:48 Comparative analysis of Cannes and Berlin/Venice ticketing system
24:06 Differences between fan passes and press passes at Cannes
25:16 Is ticket transfer feasible at Cannes?
30:35 Main course
30:55 Expectations for Coppola's new film Metropolis
33:16 Expectations for Lou Ye's new film “An Unfinished Film” and Chen Kexin's “Soya Sauce”.
35:31 Discussion of the version to be seen at Cannes
37:05 No expectations from the old farts
39:53 Dessert
40:33 The inward roll of three-day passes and the high threshold of fan passes don't guarantee a great ticket-grabbing experience
42:54 What elements does Cannes look for in emerging media accounts applying for credentials?
43:31 The embrace of multiple mediums such as podcasts
52:03 Think differently and go to the festival that suits you best, based on your strengths
