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4草场线的朋友们：大家好！本期邀请到藏地影像研究者顾老师作为嘉宾，为我们分享藏地新锐女导演以及万玛老师身后的新一代创作者在表达什么？
本期嘉宾
顾老师
【时间轴】
00:10 万玛老师及其身后年轻一代创作者在做什么？
第一部分：藏地影像研究的觉醒与重构
00:43 从"新浪潮研究"到"女性从业者"：顾老师的学术转向
04:00 超越纪录片：藏地电影新浪潮的叙事光谱
07:00 海外学者早期对万玛老师影像研究中被忽视的“在地性”与“文化主体性 ”
第二部分： 创作中的标签、quan力与突破
10:00 国际电影节"少shu群体红利"是否存在？
12:00 "撕碎标签"：万玛才旦的藏地叙事哲学
15:00 影像中的"熟悉众生"：为何藏人观众感到被看见？
17:00 “你看见什么就是什么？”：从《气球》“女性”主题到后现代叙事实验（22:00-28:00）
第三部分 泛藏地新锐女导演
30:00 一份新浪潮清单：被低估的新锐女性导演
37:00 新世代差异：主题、技术、镜头语言、影像气质的独特性
40:00 "我的藏族姐妹们"：田野调查中的女性导演
47:00 行业中被忽略的：女性承担的额外情绪劳动
第四部分：研究者的自白
54:00 知识结构的重量：从漂浮到踏实
【本期嘉宾推荐影像研究书单】
BGM:民间歌谣
ps:顾老师倾情推荐好友作品《好好说再见》（院线电影）
嘉宾部分研究参考清单：（影像研究感兴趣的朋友自行搜索学习📑，因字数限制只有部分文献，需要的朋友可在后台私我们）
Ahmed, S. (2004). The cultural politics of emotion. New York: Routledge.
Bolton, S. C. (2009). The lady vanishes: Women's work and affective labour. International Journal of Work Organisation and Emotion, 2(1), 72–80.
Bosma, P. (2015). Film programming: Curating for cinemas, festivals, archives. London and New York: Wallflower.
Bochner, A. P., & Ellis, C. (2016). Evocative autoethnography: Writing lives and telling stories. New York: Routledge.
Clifford, J., & Marcus, G. E. (Eds.). (1986). Writing culture: The poetics and politics of ethnography. University of California Press.
Cresswell, J. W. (2013). Qualitative inquiry and research design: Choosing among five approaches (3rd ed.). Thousand Oaks, CA: SAGE Publications.
Czach, L. (2004). Film festivals, programming, and the building of a national cinema. The Moving Image, 4(1), 76–88.
Davies, C. A. (1999). Reflexive ethnography: A guide to researching selves and others. Routledge.
De Valck, M. (2007). Film festivals: From European geopolitics to global cinephilia. Amsterdam: Amsterdam University Press.
De Peuter, G. (2011). Creative economy and labor precarity: A contested convergence. Journal of Communication Inquiry, 35(4), 417–425. doi.org
Ellis, C., Adams, T. E., & Bochner, A. P. (2011). Autoethnography: An overview. Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, 12(1), Article 10. doi.org
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Geertz, C. (1973). The interpretation of cultures. Basic Books.
Grant, C., & Munt, S. R. (Eds.). (2004). Cultural industries and emotional labor. London: Palgrave Macmillan.
Gregg, M. (2009). Learning to (love) labour: Production cultures and the affective turn. Communication and Critical/Cultural Studies, 6(2), 201–209. doi.org
Hardt, M., & Negri, A. (2000). Empire. Cambridge, MA: Harvard University Press.
Hesmondhalgh, D., & Baker, S. (2008). Creative work and emotional labour in the television industry. Theory, Culture & Society, 25(7–8), 97–118.
Hesmondhalgh, D., & Baker, S. (2011). Creative labour: Media work in three cultural industries. New York and Abingdon: Routledge.
Hochschild, A. R. (2002). Emotional labour. In Gender: A sociological reader (pp. 174–182). London: Routledge.
Hochschild, A. R. (2003). The managed heart: Commercialization of human feeling. Berkeley: University of California Press. (Original work published 1983)
Iordanova, D. (2009). The film festival circuit. In D. Iordanova & R. Rhyne (Eds.), Film festival yearbook 1: The festival circuit (pp. 23–39). St Andrews: St Andrews Film Studies.
Iordanova, D. (2011). East Asia and film festivals: Transnational clusters for creativity and commerce. In D. Iordanova & R. Cheung (Eds.), Film festival yearbook 3: Film festivals and East Asia (pp. 1–37). St Andrews: St Andrews Film Studies.
Iordanova, D. (Ed.). (2013). The film festival reader. St Andrews: St Andrews Film Studies.
Juhasz, A. (Ed.). (2001). Women of vision: Histories in feminist film and video.
University of Minnesota Press.
Kolehmainen, M., & Mäkinen, K. (Year). Affective labour of creating atmospheres. Journal Name, 24(2), 15. doi.org
Loist, S. (2011). Precarious cultural work: About the organization of (queer) film festivals. Screen, 52(2), 268–273.
Mason, J. (2002). Qualitative Researching. SAGE.
Madison, D. S. (2011). Critical ethnography: Method, ethics, and performance (2nd ed.). Thousand Oaks, CA: SAGE Publications.
Marcus, G. E. (1995). Ethnography in/of the world system: The emergence of multi-sited ethnography. Annual Review of Anthropology, 24(1), 95–117. Women & Performance: A Journal of Feminist Theory, 8
McRobbie, A. (2011). Reflections on feminism, immaterial labour and the post-Fordist regime. New Formations, 70, 60–76.
Muñoz, J. (1996). Ephemera as evidence: Introductory notes to queer acts. (2), 5–16.
Ouellette, L., & Wilson, J. (Year). Women's work: Affective labour and convergence culture.
These two references are not in your chapter. Please update your bibliography before submission.
