本集重點概要:
- Sofia Gubaidulina(1931-2025)的创作本质上是一种深刻的宗教与哲学实践,而非纯粹的音乐构建。她将音乐视为连接世俗(水平线)与神性(垂直线)的桥梁,以十字架符号为核心,旨在通过声音仪式化的过程,将听众从日常引向超越性的精神维度,实现灵魂的献祭与重生。
- 她的音乐语言建立在强烈的二元对比之上,尤其是“声音与沉默”的辩证关系。她通过使用非传统的乐器组合(特别是巴扬琴、打击乐和低音弦乐)、极端音区、粗粝音色与寂静的张力,创造出象征挣扎、苦难与救赎的音景,其中“沉默”并非声音的缺失,而是一种充满戏剧性能量的积极元素。
- 古拜杜丽娜的作品充满了符号性和结构性巧思。她不仅在演奏行为中融入象征(如《基督七言》中用弓画十字),还运用斐波那契数列等数学逻辑构建形式。其代表作《献祭》更是将巴赫的主题音符逐个“牺牲”再“复活”,将“奉献”这一宗教概念转化为具体、可闻的音乐过程。
- 正是这种被边缘化的处境,反而赋予了她无需妥协的创作自由,使她能够心无旁骛地发展出一种深具个人性、神秘主义且毫不妥协的音乐风格,最终成为世界乐坛独一无二的声音。
節目時間軸:
00:00:45 - 00:02:31 作曲家的鞑靼背景及其与音乐的关系
00:03:48 - 00:06:26 为钢琴而写的早期作品
00:07:15 - 00:07:50 "错误的道路"与“艺术的自由”
00:08:26 - 00:21:35 独自探索声音与沉默的关系
00:21:57 - 00:25:22 即兴表演实验团体Astreja
00:26:44 - 00:48:53 她的宗教作品和巴赫的联系
00:49:46 - 00:58:21 音乐哲学家的巴扬琴作品
01:01:34 - 01:07:00 除了弦乐四重奏之外的弦乐类作品(作曲家钟爱大提琴)
01:08:11 -01:10:10 对打击乐与即兴关系的迷恋
01:11:08 - 01:12:07 节目的推荐作品与音乐的高维度
节目提到的內容:
- reference
- Shostakovich: Symphony No. 7 in C Major, Op. 60 "Leningrad": I. Allegretto
- Nazib Zhiganov - Suite on the Tatar Themes for Orchestra
- Vissarion Shebalin - Petite Waltz
- Maria Yudina - Beethoven Piano Sonata No. 32, Op. 111
- J.S.Bach - Trio Sonata from The Musical Offering BWV 1079
- J.S.Bach - Chaconne, Partita No. 2 BWV 1004
- J.S.Bach - Erbarme dich, mein Gott from St Matthew Passion BWV 244
- Sofia Gubaidulina
- 1960 Serenade Two Guitar Solo Works
- 1963 Chaconne for piano
- 1965 Piano Sonata
- 1965 Five Etudes for harp, double bass and percussion
- 1969 Musical Toys for piano
- 1966 Pantomime for double bass and piano
- 1974 Rumore e silenzio for percussion and harpsichord
- 1971 Märchenpoem Fairytale Poem for orchestra
- 1972, rev. 186, 1992 Stufen, Steps for speaking chorus and orchestra
- 1978 Detto I, sonata for organ and percussion
- 1978 Sounds of the Forest for Flute and Piano
- 1970 Concerto For Two Orchestras (for orchestra and jazz band)
- 1975 Concerto for Bassoon and Low Strings
- 1975 Sonata for double bass and piano
- 1977 Duo Sonata for Two Bassoons
- 1977 Quartet for Four Flutes
- 1970 Vivente – Non Vivente for electronics
- 1977 Astreja-Archipelagos of Sounds in the Ocean of Time
- 1980 Astraea- Dolcissimo
- 1980, rev. 1982, 1986 Offertorium concerto for violin and orchestra
- 1982 Sieben Worte for cello, bayan and strings
- 1978 Introitus concerto for piano and chamber orchestra
- 1978 De Profundis for bayan
- 1990 Alleluia_ I. Alliluija.
- 1984 Hommage à Marina Tsvetayeva for a cappella choir III. All Magnificence
- 1987 Hommage à T.S. Eliot for soprano and octet
- 1997 Sonnengesang, St. Francis of Assisi's Canticle of the Sun for violoncello, mixed choir and percussion
- 1991 In Croce for bayan and cello, for cello and organ
- 2000 Johannes-Passion for soprano, tenor, baritone, bass, two mixed choirs, organ, and large orchestra, I. Das Wort
- 2002 Reflections on the theme B–A–C–H for string quartet
- 2018 Dialog- Ich und Du, concerto for violin and orchestra (Pt. 1)
- 2020 Der Zorn Gottes for orchestra
- 2005 The Deceitful Face of Hope and Despair for flute and orchestra
- 1986 Et Exspecto I, sonata for bayan
- 1991 Silenzio for bayan, violin, and cello
- 1996 Galgenlieder à 5 for mezzo-soprano flute, percussion, bayan, and double bass VII. Der Tanz
- 2003 Under the Sign of Scorpio variants on six hexachords for bayan and large orchestra
- 2003, rev. 2011 Kadenza Cadenza for bayan
- 2009 Fachwerk, concerto for bayan, percussion and strings
- 2016 Triple Concerto Concerto for violin, cello and bayan
- 1980 Garten von Freuden und Traurigkeiten for flute, viola, harp and narrator
- 1984 Quasi Hoquetus for viola, bassoon, and piano
- 1981 Rejoice! sonata for violin and cello
- 1996 Quaternion for cello quartet
- 2008 Repentance, an arrangement for cello, double-bass and three guitars
- 2007 In Tempus Praesens, concerto for violin and orchestra
- 1994 Music for Flute, Strings, and Percussion
- 1998 Im Schatten des Baumes for standard koto, bass koto, zheng, and orchestra
- 2006 The Lyre of Orpheus for violin, percussion, and strings
- 2008 Glorious Percussion, concerto for percussion and orchestra
- 1986 Stimmen... Verstummen... symphony in twelve movements
提到之前的节目:
- S1E11|Gloria Coates:我专注于捕获宇宙之声
如何找到我們:
用聲音打撈女性文本,在喃喃低語中找到共鳴。《音喃計畫》是一個關於女性智識生活的聲音展覽,隨時隨地餵養你的好奇心,讓我們一起傾聽、思考和創造。節目更新頻率為:兩週一更。
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