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0大家好，欢迎来到我的频道。
Hello everyone, welcome to my channel.
今天这期视频，我想带大家一起了解一位非常特别的创作者——宫崎骏，以及他的创作方式，是如何影响像我这样的写作者的。
In today’s video, I want to introduce a very special creator—Hayao Miyazaki—and how his creative process has influenced writers like me.
在视频开始之前，我会先用中文讲解这段英文旁白中的10个关键词，帮助大家更好地理解接下来的内容。
Before we begin, I will explain 10 key words from this English narration in Chinese to help you better understand what’s coming next.
【10个关键词（中英对照）】
[10 Keywords (Chinese–English)]
- Routine —— 日常习惯 / 作息Routine — daily habits / schedule
- Discipline —— 自律Discipline — self-control
- Inspiration —— 灵感Inspiration — creative ideas
- Observe —— 观察Observe — to notice carefully
- Character —— 角色Character — a person in a story
- Story —— 故事Story — a narrative
- Process —— 过程Process — the way something develops
- Creativity —— 创造力Creativity — the ability to create
- Lifestyle —— 生活方式Lifestyle — the way you live
- Consistency —— 持续性 / 坚持Consistency — persistence over time
大多数人都觉得，伟大的故事来源于伟大的创意。
Most people think great stories come from great ideas.
但当我开始了解宫崎骏的时候，我意识到了一件完全不同的事情。
But when I started learning about Hayao Miyazaki, I realized something completely different.
真正伟大的故事，其实来源于你的生活方式。
Great stories actually come from the way you live.
宫崎骏不会等待灵感。
Miyazaki doesn’t wait for inspiration.
他也不会坐在那里构思一个完美的剧情。
He doesn’t sit around planning a perfect plot.
他只是……开始。
He just… starts.
当他开始一部作品时，往往并不知道结局。
When he begins a work, he often doesn’t know how it will end.
没有完整的剧本，也没有详细的结构。
There is no full script and no detailed outline.
只有一个角色，一个世界，一种感觉。
There is only a character, a world, and a feeling.
然后，他一边创作，一边发现故事。
Then he discovers the story while creating it.
这一点彻底改变了我对写作的理解。
This completely changed how I think about writing.
因为很多初学写作者都会卡在“先想清楚一切”。
Because many beginner writers get stuck trying to figure everything out first.
我们会想：我需要一个完美的情节。
We think: I need a perfect plot.
我需要一个完整的计划。
I need a full plan.
我需要知道故事会走向哪里。
I need to know exactly where the story is going.
但宫崎骏的创作方式恰恰相反。
But Miyazaki’s process shows the opposite.
你不是在开始之前找到故事。
You don’t find the story before you begin.
而是在开始之后，才逐渐发现故事。
You find the story by beginning.
同时，他的创作并不混乱，而是极其自律。
At the same time, his creativity is not chaotic—it is highly disciplined.
每天长时间工作，一笔一笔地手绘，不断修改。
He works long hours every day, drawing by hand and constantly revising.
这意味着写作并不是等“有感觉”才开始。
This means writing is not about waiting for the right mood.
而是即使混乱、不确定，也要持续去做。
It’s about continuing even when things feel messy or unclear.
再看他的作品，比如《龙猫》和《千与千寻》，你会发现一种很真实的感觉。
If you look at films like My Neighbor Totoro and Spirited Away, you’ll notice they feel very real.
这种真实，并不是来自幻想本身，而是来自细节。
That realism doesn’t come from fantasy, but from details.
风的流动，安静的时刻，人物细微的情绪。
The movement of wind, quiet moments, and subtle emotions.
宫崎骏非常擅长观察生活。
Miyazaki pays close attention to life.
这让我意识到：写作不仅仅是想象，更是观察。
This made me realize that writing is not just imagination, but also observation.
你的日常生活，就是最好的素材。
Your daily life is your best material.
人们说话的方式，犹豫的瞬间，那些看似不起眼的情绪，都是故事的起点。
The way people speak, their hesitation, and small emotions are where stories begin.
同时，他的生活方式也非常专注。
His lifestyle is also very intentional.
他远离干扰，深度投入创作。
He avoids distractions and focuses deeply on his work.
他常常接触自然、行走、思考。
He spends time walking, observing nature, and thinking.
这些都直接影响了他的作品。
All of this directly shapes his work.
他的故事不急促，不喧闹。
His stories are not rushed or loud.
它们有空间，有呼吸感。
They have space and a sense of breathing.
而这种空间，来自他的生活方式。
And that space comes from the way he lives.
这也让我开始反思。
This made me reflect on my own life.
如果我的生活充满干扰和碎片信息。
If my life is full of noise and distraction.
那我的写作，又怎么可能有深度？
How can my writing have depth?
作为一个仍在成长中的写作者。
As someone still learning to write.
我学到最重要的几点是：
Here are the most important things I learned.
第一，先开始，而不是等准备好。
First, start before you’re ready.
第二，建立稳定的创作习惯。
Second, build a consistent routine.
第三，认真观察生活。
Third, observe real life carefully.
因为最好的故事，不是凭空产生的。
Because the best stories don’t come from nowhere.
而是来自你所看到的一切。
They come from what you notice.
宫崎骏不仅是在创作故事。
Miyazaki doesn’t just create stories.
他是在用一种方式生活。
He lives in a way that allows stories to exist.
而也许，真正的关键就在这里。
And maybe that’s the real key.
写作不是去寻找故事。
Writing is not about searching for stories.
而是成为一个能够看见故事的人。
It’s about becoming someone who can see them.
